Am I really a minority? This question, in one form or another, has plagued my academic career. While I know of no graduate student who finds the transition from talented undergraduate to full-fledged academic easy, since my admission to a Graduate English program at a prestigious American state university, the legitimacy of my presence has been consistently interrogated, often in contradictory ways, by faculty, by administration, and by my fellow graduate students. Half Puerto Rican, half Irish, daughter of the working poor and native of the Bronx, and in my late 20s, I can now pass for a somewhat polished professional woman. I speak, and have spoken since the last time I left the New York at the age of fifteen, a clear and standard English, no accent, no quaint anomalies of dialect. I have always been fair-skinned. As a fair-skinned woman who can pass for white, am I ethnic enough to earn my minority funding from the academy? This question, posed to me both silently and loudly over the years of my graduate education, speaks to the relationship between ethnicity and class, a relationship that frequently remains unarticulated because it defies the simplistic formulations of race that dominate both commonplace and academic knowledge. To address the oftentimes deterministic relationship between ethnicity and class, to complicate the boundaries of “race,” as I will do here, usually makes people angry; and this anger, too has plagued and pained me as I progress through the academy.
It only seems appropriate to address the question of my ethnic legitimacy
biographically, so I will begin by saying that I do not know my paternal
grandparents at all, even by sight. They died, in their fifties,
before I was born. I do not know what they did but I know that, like
my father, they were blue-collar workers, one generation removed
from Ireland. If ethnicity is determined by familial ties, then the
question of my ethnic identity is somewhat simplified; my connection
to the Irish side of my family is tenuous.
My maternal grandfather did not die until I was sixteen. My mother,
sister, and I lived five minutes from these grandparents until I
was nine, my sister ten. We lived in government funded housing projects
- not the high-rise kind with the stairways and elevators that stank
of
urine, but the four-story brick building kind with a waiting list
for new residents - and often did not have enough money for food.
My grandfather brought bags of groceries with regularity; calling
out his weekly arrivals from the sidewalk beneath our second floor
kitchen window, gleefully throwing sweets up for my sister and I
to catch as we leaned out to wave. Meanwhile, my mother headed down
the steps for the bags of real food: milk, eggs, and bread. We needed
welfare only rarely because of these deliveries.
My father was poor because his parents were poor but my mother was
poor because my grandfather was mentally ill. If forced to pinpoint
one root of the confusion that I evoke in people, I would gesture
towards
this condition. It is the complications resulting from this confusing
madness that cause me to be mistaken for a privileged white woman
who happens to have a Puerto Rican mother. One son of the large family
of a wealthy landowner in Puerto Rico, my maternal grandfather was
of the upper-middle class. Because of his illness, however, he was
often unable or unwilling to work and lost whatever jobs he held.
As one family story has it, for example, he ended his brief tenure
as a mailman when he began to collect the mail and deliver it to
his garage rather than the addressees so that he would have more
time to watch television. To add to the confusion, my grandmother,
a daughter of a family of teachers, holds a degree in agricultural
engineering from the University of Puerto Rico. She graduated in
the 1940s, and for many years taught high school science in Puerto
Rico. When my grandfather, seized by a fit of impulse, moved to New
York, my grandmother followed, eventually transplanting all of the
children as well. Thus my grandparents arrived in New York, both
possessing markers of middle class privilege in a Puerto Rican context;
but they came poor, with seven children, their money gone to my grandfather’s
gambling habit. They assumed a life not atypical for Puerto Rican
immigrants to the Bronx in the late 1960s: my grandmother held a
low-paying clerical job at the welfare bureau; my grandfather was
employed sporadically at various low-paying jobs.
My mother left Puerto Rico shortly after my grandparents, at the
age of seventeen. She was painfully shy, and did not adjust well
to the shift from a small suburb of San Juan to life in the economically
underprivileged Bronx. She was lonely, I suspect, like many young
women in her position, an immigrant with little familiar to support
her as she navigated the complexities of late adolescence. By eighteen,
she had married my father and became a teenage mother and wife; by
twenty-five, when my father left our house for good, she was a single
mother of two children aged five and six, with no job training and
no college degree.
My sister and I were born into poverty, but we were not without
privilege. Our mother is dark skinned but we look white. Because
of our mother, we had something of the middle class in our background.
Class status is tenuous, but it can trace through generations.
My mother was indistinguishable in terms of capital from the other
poor and single mothers who lived around us; she too had no money;
she too lacked the trappings of the middle class: she spoke with
an accent and dressed like a disco queen. But with a college-educated
mother, with an extended family of educated men and women, she had
an element of cultural capital the other mothers perhaps did not.
She had some expectation that she should go to college, and that
her children should be educated. She acted on this expectation quickly,
before the toll of poverty and ghetto life could quell it, attending
the Lehman branch of the City University of New York at night and
paying our tuition at private school in New Rochelle with her student
loan money, sparing us the overcrowded and under funded public schools
of our neighbourhood.
So this is a salient manifestation of our privilege: we attended
the New Rochelle Academy from kindergarten until we left the Bronx
at ages eight and nine because my mother could no longer send us
to private school. We arrived there every day in my mother’s
battered powder blue Dodge Arrow and left every day on a small bus
with the handful of other residents of the Bronx that attended school
with us. New Rochelle was then a middle class suburb of New York
City; the Academy was on a small stretch of the most affluent section.
Every morning we left the Bronx via a particularly hideous stretch
of I-95 and arrived to a manicured campus dappled with long-limbed
gnarled trees, and spent the day in classrooms filled with child-sized
furniture and specially trained teachers. In addition to the basics,
we learned playful drills and songs in French, German, and Spanish,
learned to read music by playing the recorder, even learned to knit
and crochet in special weekly sewing classes. Every afternoon we
were returned to our babysitter, watched with five other children
until the post-work hours as part of a government-subsidised child
care program.
I did not excel in the environs of the New Rochelle Academy. My
last year there, the third grade, I dry heaved regularly before my
mother took us to school. At times I begged, doubled over with nausea,
for my mother not to take me there, knowing that if she was to ever
comply my other option was to sit all day in the waiting room of
the welfare office where she worked distributing benefits. The privilege
of attending the Academy did not erase my difference from the other
students; it did not erase either my ethnicity or my class status.
Quite the opposite: in a school that ranged from kindergarteners
to high school seniors, I was one of ten bussed in from the Bronx.
Unless we were extraordinary - unless we manifested our extraordinariness
in a way visible to the teachers that evaluated us - we were
largely written off.
My sister, a year older than me, was extraordinary. She was often
singled out in class, chosen to star in music performances and plays.
I was a painfully shy child and did not begin to discover the retreat
of books until I was eight, did not develop reading comprehension
scores that soared off test scales until age eleven or twelve. Thus
my sister narrated a dramatised version of Gulliver’s Travels for the first grade the year I appeared in the kindergarten production
of the Wizard of Oz as a munchkin. Everyone had to participate in
these productions, everyone was assigned a place. I was consistently
placed in the ensemble (I took turns also as a pilgrim, an urchin)
and where others spoke I forced smiles and danced awkwardly, excruciatingly
undignified activities for a soon to be bookish child. Some children
actually liked the ensemble- that I was mistaken for one of them
speaks to the misreading, or lack of reading, that went into my teacher’s
evaluations of me. My sister’s success did not stand in for
mine individually; she stood in for the whole of those bussed in
from the Bronx. One success in ten was adequate.
Re-experiencing the feeling of my status at the New Rochelle Academy,
with all its attendant dread and nausea, took me by surprise when
I entered academia as an English graduate student at the age of twenty-three.
My experience at a state college convinced me that I could not leave.
I romantically anticipated graduate school as a life of books and
lectures, augmented by radical peers but freed by funding of the
pressures of the many and invariably awful jobs that I held while
I pursued my undergraduate degree. But I discovered (slowly, I was
slow in this way) that I had not gained entry into the scene of the
intellectually sublime, but rather into something that more closely
resembled a Jane Austen novel, where I was the lout who could never
attain the subtlety needed to properly negotiate the cultural milieu
that I had thrust myself into. While I had imagined my progress as
a student as linear, with entry into graduate school as the ultimate
achievement, I instead suddenly found myself somewhere below ground
zero. A lout in the Jane Austin-esque, I found out, is far worse
than a munchkin in Oz.
I entered the academy on a minority fellowship, and nothing that
I did after this inauspicious entrance could ever be right; socially,
politically, I was a disaster. Socially, regardless of the terms
of my admission, I made my initial appearance ill-equipped for success.
My grandparents’ class status might have steered me towards
the road to higher education, but it did not magically reappear and
teach me how to act once I reached its outer limits. The seminar
discussions and faux social scenes where graduate students were to
perform their intellectualness highlighted my inadequacies. I did
not understand the clamour to fetch the tea of a particularly influential
professor on our class break. I had never seen a wine and cheese
before I went to graduate school; after attending three in two years
I vowed never to go back to another. The conversation was stilted
and the wine was headache inducing. I had heard the term “networking” but
would have never associated it with the goings-on of the wine and
cheese, so I took my vow without compunction or sense of trade-off.
Politically (and are the political and the social ever separate
in the academy?), the graduate community is a small place, and I
never attempted to make the terms of my admission and funding secret.
The lack of secrecy was largely because my funding was radically
different from that of my white counterparts. I was angered by this,
and further angered to discover the inequity only upon my arrival.
I protested vociferously until my funding package was changed, and
my protest soon became public knowledge. No one was amused by my
vociferousness, particularly not the Graduate English Administration.
Didn’t I know that I was not supposed to be noisy, but submissively
polite like the other graduate students? This seemed to apply particularly
to me, the walking gaffe: pale, accentless, not even studying contemporary
ethnic literatures, it must have seemed like the last straw that
I also had a bad attitude, since I wasn’t giving them a bit
of bang for the small sum of money that they had shelled out. Maybe
they would have been comforted by the myriad ways I performed my
identity difference if they hadn’t been so blinded by this
thought: how dare I look like my white peers but not act like them?
In addition to my boycotting of the wine and cheese, for example,
I rather quaintly had yet to learn that “money” was not
a word that one used in polite conversation. Nor had I learned, more
practically, that to talk to the privileged about money was near
pointless, even if they were Marxists. In my first meeting with the
Graduate Director, shortly after my arrival in the program, I stunned
her by pointing out that the combination of a $5,000 grant combined
with $6,000 in student loans that was called a minority fellowship
precluded the possibility of adding additional student loans - the
standard graduate student method for approximating a liveable wage.
The Director regarded my request for a revision of my funding with
suspicion and responded with some hostility, wondering aloud why
I should need so much money (I requested that my grant come closer
to the $10,000 offered to non-minority students). I watched the Graduate
Director fight for restraint in the face of my request for additional
money and lose the battle: “Is your rent very high?” she
finally burst forth, incredulously. I wondered then, and still wonder
now, if she really thought that I was in her office asking for a
change in my funding package because I was frivolously spending the
money that the department had meted out to me. In her eyes, I seemed
to be the academy’s equivalent to popular culture’s mythical
welfare recipient who fritters away what should be an adequate -
if undeserved - income on luxuries like Cadillacs and steak.
Her un-restrainable anger demonstrated the freedom with which she
worked
out her unexplored feelings about minorities and money on my white
skin. She treated me, with little hesitation, like an undeserving
interloper asking for handouts, because I both am and am not white.
I fared no better in popularity among my peers. I discerned, slowly,
as was my fashion, that I was the subject of several running conversations.
Once, one of my peers enjoined me to say something in Spanish. Thinking
that maybe I wasn’t the only one who needed to practice for
the language exam, I complied and asked if she wanted to go the library
with me: “Hmm.” She replied. “At least you can
talk like one.” Once, I laughingly explained apropos of something
how my early education taught me to crochet, left the room briefly
and returned to the tail end of a contemptuous conversation about
a young man who claimed, “belatedly,” his Native American
heritage to benefit from affirmative action. I could relate several
similar stories. This “belated” incident, however, I
eventually came to find particularly amusing. Suddenly, it seemed
that the bourgeois wanted to claim me as one of their own, if only
I would cease unfairly trading on my “difference” to
get ahead! Five years of graduate study later, I still feel ill equipped
to unpack the irony of this implied offer of acceptance, of the belatedness
that is perceived as mine. When my difference finally opens a fraction
of opportunity, the only proper thing to do, it seems, is to disclaim
my ethnicity, to erase my life for the moment of acceptance. But
even if I wanted to co-exist in indistinguish-ability from my white
middle class counterparts, it would not be as easy as some would
like to think, because what they are asking me to do is to “pass,” to
be silent about who I am and where I am from so as to fit in with
them unnoticed. But I am not in a familiar social scene; I don’t
fit in and never will. People may think that they would like me more
if I ceased to point this out, but it’s been my experience
thus far that no pointing is in fact needed, that it’s not
my difference but only the reason for it that can be hidden.
The fact of my pale skin is a cutting, double-edged kind of privilege.
I am not white and I am not a person of colour; I exist in an epistemology
that is, to borrow an appropriate cliché from the academy,
always already different. In the academy, where students are mentored
or left to flounder on the basis of how closely their thinking is
aligned with those in the Department who work in their field, I am
not coddled. I am not sheltered by the privileges of my bourgeois
peers, and the students and faculty of colour I interact with view
me dubiously. I have seen others like me, whose entry into the Academy
is facilitated both by the privilege of their fair skin and by the
sudden value of the diversity that has rendered them outcasts for
most of their lives. These white and simultaneously not-white students
come and go quickly in our Department, often leaving imploded by
the contradictory expectations of these “privileges.”
I have lasted perhaps because I decided to make a career out of
my ambiguous racial status, which seems to me the only appropriately
paradoxical response to six years in the academy. My dissertation
resurrects a history of challenges to the racial status quo; I write
about bi-racial authors of the latter half of the nineteenth century,
that time in the movement of American culture where laws and attitudes
might have moved towards justice but instead changed for the worse.
I feel particularly for Charles Chesnutt, the late nineteenth century
writer best known for his short stories and claimed as the first “literary” writer
in the African-American tradition, a mixed man who looked white but
refused to pass, and eventually became something of a spokesman for
civil rights; a writer who, it always seemed to me, tried to use
his own social standing to mark the logical absurdity of absolutist
racial categories that equate race with ethnicity and ignore class.
I argue in the introduction to the chapter of my dissertation I devote
to his “Uncle Julius” stories that Chesnutt is:
I empathise with the burden of Chesnutt’s predicament and feel an urgency to press his point. He tried, like other authors of similarly confused backgrounds, to articulate the ways that race is and is not real, a position of racial ambiguity that the politics of racists and anti-racists have avoided. Literary history, and American literary history in particular, so invested in the racial binary, continues to silence voices like Chesnutt’s, continues to quash movement forward in conceptions of race, preferring to keep our level of thought on “blackness” and “whiteness” on a near even keel with the late nineteenth century. So this is what keeps me in the Academy; I stay and I write; by next year, I will have completed my dissertation.